How to Fix Yellow Cast in Lightroom Presets (So Teeth, Eyes, and Skin Look Natural)
You apply a preset, the vibe is perfect… and then you zoom in. Teeth look yellow. The whites of the eyes look warm and “dirty.” Even skin can turn sallow, like the photo has a mild jaundice filter. If you’ve been trying to fix yellow cast in Lightroom presets (especially on teeth turning yellow, eye whites turning yellow, and yellow skin tones), this guide will walk you through a clean, repeatable workflow that keeps the preset’s mood while restoring natural-looking whites and healthy skin.
If you want a fast starting point with a wide range of looks you can fine-tune, check out the 1000+ Master Lightroom Presets Bundle and browse the Portrait Photography Lightroom Presets collection. If you’re building a full toolkit, you can Buy 3, Get 9 FREE when you add 12 items to your cart.
Why Presets Make Whites Turn Yellow (Even When the Photo Looked Fine)
Most presets aren’t “bad”—they’re just doing what they were designed to do: create a warm, cinematic, golden, vintage, or cozy mood. The problem is that teeth, eye sclera (eye whites), and many highlight areas of skin are supposed to be close to neutral. When a preset pushes warmth globally, those neutral areas get dragged into the yellow/orange range.
- White balance shifts: Many presets move Temperature warmer to create “golden hour” vibes.
- Orange/yellow channel boosts: HSL/Color Mixer adjustments can increase yellow/orange saturation or luminance, which hits teeth and eye whites hard.
- Indoor lighting gets amplified: Tungsten/LED mixes already have color casts. A warm preset multiplies that cast. (If you mostly shoot indoors, this is worth reading: Why presets look so bad indoors (simple fixes).)
- “Mood” vs “clean whites” conflict: Warm grading can be gorgeous—but eyes/teeth need a separate, more neutral treatment.
The 90-Second Fix Checklist (Do This Before Anything Else)
When a preset goes yellow, don’t panic-edit every slider. Run this simple order first:
- Set a sane base white balance: Use the WB eyedropper on something neutral (shirt, wall, gray object) or nudge Temperature slightly cooler until whites look believable. If you need a refresher on the WB tools, see Adobe’s guide to adjusting lighting and color in Lightroom.
- Tame Yellow/Orange in Color Mixer (HSL): Lower Yellow Saturation a bit and/or reduce Yellow Luminance if highlights look stained. For exact steps, see Adobe’s Color Mixer (HSL) guide.
- Mask the problem areas: Teeth and eye whites should be corrected locally, not globally. If you use People masking, Lightroom can target Teeth and Eye Sclera directly (see Adobe’s guide to AI masking (including Teeth and Eye Sclera)).
- Save a “Neutralizer” preset: Once you find your usual fix (tiny Temp shift + small Yellow Sat drop), save it as a second preset you apply after any warm look.
That alone fixes most yellow cast issues without destroying the preset’s style.
Step-by-Step: Fix Yellow Teeth Without Making Them Glow
The biggest mistake people make is over-whitening. Real teeth are not paper-white. Your goal is: remove the yellow stain look, keep natural texture, and avoid neon highlights.
Workflow (Lightroom Classic / Desktop)
- Create a mask for teeth: Use People masking if available (Teeth), or use a brush with generous feathering.
- Cool the temperature slightly: Move Temp a little toward blue. Keep it subtle—tiny moves look real.
- Reduce Yellow saturation locally: If your mask panel supports it, reduce Saturation slightly. If not, use global HSL Yellow Sat minimally and rely on the mask for the rest.
- Lower highlights (sometimes): Yellow teeth often look worse when highlights are too bright. Drop Highlights a touch inside the mask.
- Micro-contrast check: If teeth look “flat,” add a tiny amount of Texture or Clarity (very small) to keep detail.
Pro tip: If your preset adds heavy warmth, your teeth fix will look better when you also do a small Yellow Luminance reduction in HSL—because stained highlights are often a luminance problem, not just saturation.
Step-by-Step: Fix Yellow Eye Whites (Eye Sclera) Without Making Eyes Look Fake
Eyes go wrong fast because the sclera picks up every color cast in the scene. The fix is similar to teeth, but even more subtle.
- Mask Eye Sclera: If available, use the People mask (Eye Sclera). Otherwise brush carefully and avoid the iris.
- Lower saturation first: Often the “yellow” feeling is just too much saturation. Reduce Saturation slightly.
- Cool temperature slightly: Nudge Temp cooler until the sclera looks neutral.
- Lift exposure only if needed: If the whites are dull, raise Exposure a tiny bit. Don’t overdo it—bright eyes can look scary-fast.
If you want to see the exact Lightroom masking options that include Teeth and Eye Sclera, Adobe documents it here: AI masking (People parts including Teeth and Eye Sclera).
Fix Yellow Skin Tones While Keeping a Warm, Cinematic Look
Skin is tricky because you do want warmth sometimes—but you don’t want “yellow-green” or “orange-brown” skin. The clean approach is: control orange/yellow channels, then correct locally where needed.
1) Use HSL like a surgeon (not a hammer)
- Orange Saturation: If skin looks too orange, reduce Orange Sat slightly.
- Yellow Saturation: If highlights look jaundiced, reduce Yellow Sat slightly.
- Yellow Luminance: If bright skin areas look “stained,” lowering Yellow Lum can clean it up without killing the vibe.
If you’re unsure how the Color Mixer works in your version of Lightroom, this is the official reference: Adobe’s Color Mixer (HSL) guide.
2) Local correction beats global correction
Yellow skin usually shows up in forehead highlights, cheeks, and under-eye areas. Make a soft mask on the face highlights and do tiny moves:
- Temp slightly cooler
- Saturation slightly down
- Highlights slightly down (if the preset is blowing warm highlights)
3) Don’t fight the preset—separate “mood” from “accuracy”
Let the preset create the atmosphere. Then use masks to “protect reality” (teeth, eyes, key skin highlights). This is how you keep cinematic warmth without making people look unhealthy.
Preset Types Most Likely to Cause Yellowing (Quick Spotting Guide)
- Golden hour / sunset presets: Built to push warmth globally.
- Vintage / retro film looks: Often add yellow-brown toning to mimic aged film.
- Warm / cozy presets: Usually boost yellow/orange saturation and highlights.
- Moody warm presets: They can mute blues/greens while keeping yellows strong, making skin and whites look yellow.
- Indoor “warm light” looks: If the original light is already warm, it doubles the problem.
Presets vs Manual Editing (The Honest Comparison)
Presets are unbeatable for speed and consistency. They’re also great for finding a signature style—especially when you edit hundreds of photos and need the same mood.
Manual editing wins when accuracy matters: skin tones, product photography, weddings, and anything where whites should look clean and true. Manual correction is also the fastest way to fix a preset that went too far.
The best workflow is a hybrid:
- Manual base correction: Exposure + White Balance (get your “truth”)
- Apply preset: Let it create the style
- Manual protection pass: Masks for teeth, eye whites, and face highlights
- Save your neutralizer: One-click safety net for future edits
If you’ve ever wondered why the same preset behaves differently image to image, this breakdown helps: Why presets look different on every photo (and how to fix it).
Real Examples: Before/After Fixes You Can Copy
Example 1: Indoor portrait near a warm lamp
You apply a warm preset and suddenly the teeth go yellow and the skin turns “muddy warm.” Fix: cool Temp slightly, reduce Yellow Sat a touch, then mask Teeth + Eye Sclera and cool them locally. If you shoot indoors often, this guide is gold: Simple fixes for indoor lighting.
Example 2: Wedding reception mixed tungsten + LED
I tested this exact workflow on a wedding reception photo in mixed warm and cool lights—one warm preset made the bride’s smile look yellow instantly. The fix that saved it was a tiny WB cool-down, a gentle Yellow Luminance drop, and then a clean Teeth mask with subtle cooling.
Example 3: Bright daylight where the preset “overcooks” highlights
Sometimes a warm cast can make highlights feel blown out. If your preset turns bright areas into “golden glare,” pull highlights down and correct WB before you chase color. This article goes deeper on that chain reaction: Why presets create blinding highlights (and how to fix it).
Prevention: Stop Yellow Cast Before It Starts
- Shoot RAW: You’ll have far more WB flexibility without destroying the file.
- Neutralize WB before judging the preset: Presets react differently under different light sources.
- Watch color bounce indoors: Walls, wood, and paint can spill warm color onto skin and whites.
- Build a “Neutralizer” preset: Save your small fixes as a second preset for fast consistency.
- Check mobile vs desktop: Wide-gamut screens can exaggerate warmth. If you deliver to clients who view on phones, read: Why presets look different on desktop vs mobile.
Recommended AAAPresets Starting Points (Easier Fixes, Better Skin)
If yellow cast is a recurring problem, start from looks that are designed to keep skin clean and edits flexible—then push your creative tone after the basics are stable.
- Indoor portraits / soft natural light: AI-Optimized Soft Window Light Lightroom Presets (great for clean, airy indoor edits).
- Portraits with cinematic warmth but natural skin: AI-Optimized Film Portrait Cinematic Lightroom Presets Pack (designed to preserve natural skin tones).
- High variety for every lighting scenario: 1000+ Master Lightroom Presets Bundle (great for building a consistent toolkit).
- Weddings and people-heavy shoots: 150+ Gorgeous Lightroom Presets for Wedding Photography (fast coverage across different venues and lighting).
For browsing, start with Lightroom Presets for Lightroom Mobile & Desktop and the Portrait Photography Lightroom Presets collection.
Bring It All Together (A Simple “No Yellow” Editing Recipe)
Here’s the repeatable formula that keeps your preset’s mood but protects reality:
- Correct Exposure and White Balance first.
- Apply your preset.
- Use HSL/Color Mixer to gently tame Yellow/Orange (small moves).
- Mask Teeth and Eye Sclera for subtle cooling and desaturation.
- Save a Neutralizer preset for future edits.
If you want a plug-and-play preset base you can refine with this workflow, explore the 1000+ Master Lightroom Presets Bundle and browse all Lightroom presets for Mobile & Desktop. You can Buy 3, Get 9 FREE when you add 12 items to your cart. If you need help choosing the right pack for your lighting, reach out here: Contact AAAPresets support.
Related Reading
- Why Lightroom presets look different on every photo (and how to fix it)
- Indoor preset fixes: simple fixes for artificial light
- Mastering white balance: achieving natural colors
- Why presets turn photos into blinding highlights (and how to fix it)
- Why presets look different on desktop vs mobile
FAQ
Why do my Lightroom presets make teeth look yellow?
Most warm presets push Temperature and boost yellow/orange tones, which stains bright neutral areas like teeth. Fix it by cooling white balance slightly, reducing Yellow saturation a little, and masking teeth for a subtle local correction.
How do I fix yellow eye whites without making eyes look fake?
Use a dedicated Eye Sclera/eye whites mask (or a soft brush) and do tiny moves: reduce saturation first, then cool Temperature slightly. Avoid over-brightening—natural sclera has gentle tone and texture.
Should I correct white balance before or after applying a preset?
In most cases, correct white balance first so the preset has a neutral base. Then apply the preset and do a small local pass for teeth, eye whites, and face highlights if the look is still too warm.
What HSL sliders help the most for yellow cast in Lightroom presets?
Start with Yellow Saturation and Yellow Luminance (small reductions). If skin shifts too far, adjust Orange Saturation slightly and keep changes subtle so you don’t flatten skin tones.
Why do presets look warmer on my phone than on my computer?
Phone screens can display wider color gamuts and sometimes exaggerate saturation and warmth. It helps to create a tiny “mobile fix” preset and always check your final edits on at least one phone screen.
Written by Asanka — creator of AAAPresets (10,000+ customers).



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