Taming the Grain Beast: Your Comprehensive 2025 Guide to Eliminating Noise in Sony Low-Light Footage
Learn how to shoot and grade Sony low-light footage so it stays clean and cinematic—without turning everything into a plastic, over-smoothed mess. This guide covers smart on-set exposure, ISO choic...
Learn how to turn flat Sony S-Log3 footage into rich, natural or cinematic images using technical and creative LUTs, a simple step-by-step workflow in Premiere Pro, DaVinci Resolve, o...
Mastering the Match: Your Comprehensive 2025 Guide to Harmonizing Sony A7S III and A7 IV Footage
How to Color Match Sony A7S III and A7 IV Footage for a Seamless Look If you’ve ever cut between the Sony A7S III and A7 IV in the same edit, you already know why Sony A7S III and A7 IV color matc...
Sony A7 IV Color Grading Workflow: From Flat to Cinematic
Turn flat Sony A7 IV S-Log3 footage into rich, cinematic color with a clear, repeatable workflow from camera setup to final export. Learn how to choose between S-Log3 and S-Cinetone, fix exposure a...
Turn flat, gray Sony FX3 / FX30 S-Log3 footage into a rich, cinematic image with a repeatable workflow from camera setup to final grade. Learn how to expose S-Log3 correctly, convert to Rec....
Turn flat, gray Sony S-Log3 footage into rich, cinematic color using a clean, node-based workflow in DaVinci Resolve. Learn how to set up color management, build a solid base grade, layer creative ...
Premiere Pro vs. DaVinci Resolve for Color Grading: The Ultimate Showdown in 2025 - A Deep Dive
Compare Premiere Pro’s Lumetri-based workflow with DaVinci Resolve’s node-based Color page so you can choose the right tool for your color grading style, budget, and projects. Learn how each handle...